SKU: 52158491582

Kiade - Modellboot ARNO XI 50cm

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Description

Kiade - Modellboot ARNO XI 50cmMODELL ARNO XI 50cm Echtes Ausnahmeobjekt, dieses Modell Arno XI (Ferrari Motor) mit einer Lnge von 50 cm wurde im Mastab 1: 12 gefertigt. Nachbau des legendren Rennbootes, dieses Modell wird vollstndig von Hand aus edlen Materialien hergestellt: Holz (Buchenholz), Marinepolster. Alle Beschlagteile sind in verchromtem Messing von Juwelieren gefertigt. 10 Lackschichten werden aufgetragen, um einen hervorragenden Lackglanz zu erzielen. Box fr sicheren

MODELL ARNO XI 50cm

Echtes Ausnahmeobjekt, dieses Modell Arno XI (Ferrari-Motor) mit einer Länge von 50 cm wurde im Maßstab 1:12 gefertigt. Nachbau des legendären Rennbootes, dieses Modell wird vollständig von Hand aus edlen Materialien hergestellt: Holz (Buchenholz), Marinepolster. Alle Beschlagteile sind in verchromtem Messing von Juwelieren gefertigt. 10 Lackschichten werden aufgetragen, um einen hervorragenden Lackglanz zu erzielen.

Box für sicheren Versand.

Nummeriertes Echtheitszertifikat und Garantie von 1 Jahr.

Informationen zu diesem Modell:
Erbauer: KIADE
Ref.: R FERR 50
Abmessung: 50 CM
Maßstab: 1:12

Geschichte dieses Modells:

Die Arno XI ist ein Rennbootes, das Anfang der 1950er Jahre von Achille Castoldi inspiriert und von der Werft Cantiere Timossi in Azzano (einem Ortsteil von Mezzegra) am Comer See gebaut wurde. Castoldi wollte einen Geschwindigkeitsweltrekord im Wasser aufstellen, also überredete er die damaligen Ferrari-Rennfahrer Alberto Ascari und Luigi Villoresi, Enzo Ferrari zu beeinflussen, ihm einen 4,5-Liter-V12-Ferrari-Motor zu liefern; derselbe Motor, der Ferrari 1951 seinen ersten Grand-Prix-Sieg mit dem Ferrari 375 F1 auf dem Silverstone Circuit bescherte. Der Motor wurde in einen Timossi-Dreipunkt-Rennwasserflugzeugrumpf eingebaut.
Castoldi schaffte es, die Pferdestärke durch den Anbau von zwei Kompressoren weiter zu steigern. Das Ergebnis war ein 502 PS starkes Schnellboot, mit dem er im Oktober 1953 auf dem Iseosee eine Höchstgeschwindigkeit von 150,19 mph (241.708 km/h) erreichte. Das ist bis heute der Geschwindigkeitsweltrekord für ein 800-kg-Boot.

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SKU: 52158491582

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4.7 ★★★★★
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Verified Purchase
David Lemberg
Houston, US
★★★★★ 5
Five Stars
Format: Paperback
Professor Cornford's translation with running commentary is definitive.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 5, 2015
J
Jordan Bell
Waukegan, US
★★★★★ 5
Plato's dialogue about the physical world
Format: Paperback
The two biggest topics in the Timaeus are astronomy and the elements of bodies, which are constructed using triangles and the tetrahedron, octahedron, icosahedron, and cube. I would like to see a translation of the Timaeus that uses it as a way to introduce all the astronomy that appears in the dialogue. Introducing the astronomy does not mean just talking in words about spheres or the zodiac or the ecliptic, but actually explaining how these were used by astronomers. Cornford has much to say, but to someone who has not learned any Greek astronomy his commentary will be opaque and hard to use. I didn't know the astronomy well enough to readily understand Cornford's explanations. I plan to learn more classical Greek astronomy, perhaps using Evans' , and then read Waterfield's translation of the Timaeus . Before reading this you should have read the Republic and know some classical Greek natural philosophy, mathematics, and astronomy. Although Cornford's commentary makes the dialogue staccato, I am glad for it because I wouldn't otherwise have understood much of what Plato says. The Timaeus and the Parmenides are the two dialogues of Plato that one needs commentary to understand; the Parmenides demands the commentary because so much of what is happening depends on the original language, and the Timaeus demands the commentary because of all the things the reader is supposed to be familiar with. The following is a list of topics I kept while reading the dialogue: theory of Forms 27d-28a, 51a-52a; harmonics 35b-36b; time 37c-38e, 39b-e; vision 45b-46c, 67c-68d; space 52b; surfaces 53c; weight 62d-63e; sound 67a-67c; physiology 70c-79e, 80d-86a; antiperistasis 79e-80c.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 12, 2015
S
Steve Lookner
West Palm Beach, US
★★★★★ 4
Helpful, but Waterfield is better for an intro
Format: Paperback
This is basically a scholarly paragraph-by-paragraph commentary on the Timaeus. It's really good for what it is, but I don't recommend it as your first introduction to the Timaeus -- rather, I recommend Waterfield: http://www.amazon.com/Timaeus-Critias-Oxford-Worlds-Classics-ebook/dp/B006NTMD16 A problem with using Cornford as an introduction is that he comments on everything, and it's hard to figure out what the main themes are. I tried reading Cornford as an intro and gave it up, but once I'd read Waterfield I found Cornford extremely helpful both in elucidating passages further than Waterfield does, and in interpreting passages Waterfield doesn't cover. So if you're looking to learn about the Timaeus, I'd suggest Waterfield first and Cornford second (or Cornford alongside Waterfield).
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Reviewed in the United States on February 24, 2014
B
Brian Chrzastek
Birmingham, US
★★★★★ 5
Cornford's running commentary is arguably the best suited to fulfill this desire
Readers of any of Plato's works are bound to feel they might profit from various commentaries. His Timaeus, in particular, may be said to elicit such a hope because of number and intricacy of its details. Cornford's running commentary is arguably the best suited to fulfill this desire: it helps make clear the integrity of the dialogue as a whole and illumines the specific points along the way. Although this work is certainly dated, originally published in 1937, it is certainly one of the best full commentaries on the Timaeus.
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Reviewed in the United States on November 4, 2014
R
Roberto V. Novaes
Battle Creek, US
★★★★★ 5
Plato's view of the creation of the world
Format: Paperback
A cosmology is a narrative concerning the creation of the universe. Many ancient philosophers have written or elaborated this kind of work. The Platonic dialogue Timeus is an account of the work of the creator god (called the demiurge - or artisan) sculpting the chaotic material world in accordance with the immaterial model of the Ideas. But the text was written in a very hermetic and symbolic language, making its interpretation difficult or even impossible without the knowledge of the references and symbols used by Plato. This book is a complete translation of the text followed by a comprehensive commentary explaining in detail every passage. Francis MacDonald Cornford is one of the most important ancient philosophy scholars, and this work reveals his deep knowledge of Platonic and Greek thought. It is a must have for anyone interested in greek and Platonic philosophy.
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Reviewed in the United States on February 13, 2008

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