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AMERICAN GLITCH A. Orejarena & C. Stein SIGNIERT

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AMERICAN GLITCH A. Orejarena & C. Stein SIGNIERTLONG TIME NO SEE Andrea Orejarena & Caleb Stein Erstausgabe Gnomic Book 2024 Englisch 156 Seiten, begleitet von einem Essay von David Campany und einem 52 seitigen Booklet. 28 x 21,2 cm First Edition Gnomic Book 2024 English 156 pages, accompanied by an essay by David Campany, and a 52 page insert. 28 x 21,2 cm TACTICS AND MYTHOLOGIES ist die erste europische Einzelausstellung des New Yorker Duos Andrea Orejarena und Caleb Stein und prsentiert vom 7.

LONG TIME NO SEE Andrea Orejarena & Caleb Stein

Erstausgabe Gnomic Book 2024
Englisch
156 Seiten, begleitet von einem Essay von David Campany und einem 52-seitigen Booklet.
28 x 21,2 cm

First Edition Gnomic Book 2024
English
156 pages, accompanied by an essay by David Campany, and a 52 page insert.
28 x 21,2 cm

TACTICS AND MYTHOLOGIES ist die erste europäische Einzelausstellung des New Yorker Duos Andrea Orejarena und Caleb Stein und präsentiert vom 7. September 2024 bis 26. Januar 2025 einen fotografischen Roadtrip durch die Bildwelten viraler Verschwörungstheorien. Die fotografischen und filmischen Arbeiten von Orejarena & Stein setzen sich mit Simulationstechniken und Narrativen der Desinformation auseinander.

Das Künstlerduo Andrea Orejarena (*1994, Kolumbien), Kognitionswissenschaftlerin und Fotografin, und Caleb Stein (*1994, UK), Dokumentarfotograf, ist bekannt für konzeptuell-dokumentarische Projekte, die sich mit individueller Wahrnehmung und kollektiver Wirklichkeitskonstruktion beschäftigen. Ihr künstlerisches Archiv lässt ein Repertoire von Bildtypen, Codes, Mustern und Motiven erkennen, die eine dynamische Typologie und stetig wachsende Bildwelt visueller Desinformation und Simulationsfantasien manifestieren.

Da ein wachsendes Misstrauen in die Unterscheidung von Realität und Fiktion unsere Gegenwart prägt, begab sich das Duo seit 2020 auf Social Media und fotografisch auf Erkundungstour. Entstanden ist ein erstes Archiv mit über 2.000 Fotografien und aktuellen Bildformen, das den Einfluss von Verschwörungsnarrativen auf die amerikanische Gesellschaft und die individuelle Wahrnehmung manifestiert.

Diese Auseinandersetzung mit Bildern, die teils mit Augenzwinkern, teils mit paranoidem Blick, unser Verhältnis zur Wirklichkeit hinterfragen, haben Orejarena und Stein in ein eigenes fotografisches Konzept weiterentwickelt, das lose einem Atlas verschwörungstheoretischer Schauplätze in den USA folgt. Ihre Serie American Glitch dokumentiert die Landschaften der USA ausgehend von viralen Bildwelten als Simulation.

Bereits seit ihrem Projekt Long Time No See (2015–2020) arbeitet das Duo an der drängenden Frage, welche Rolle die Fotografie für das Wechselverhältnis von Wahrnehmung und Imagination heute spielen kann. Long Time No See entstand zusammen mit jungen vietnamesischen Künstler*innen sowie Veteranen nahe Hanoi und zeichnet die künstlerische Auseinandersetzung mit den heutigen Erinnerungen und Folgen des Vietnam-Amerika-Krieges nach. In poetischen Porträts und Landschaftsansichten zeigt Long Time No See eine visuelle Spurensuche nach den Zwischentönen dissonanter Geschichtsschreibungen und Bildformen zwischen Dokumentation und subjektiver Wahrnehmung. Das Projekt reflektiert kritisch die amerikanischen Darstellungskonventionen des Krieges und erprobt kollaborative fotografische Formen. Die Soundinstallation War Words bringt konkurrierende historische (Des)Informationskampagnen in einen Dialog und öffnet einen Wahrnehmungsraum, zwischen lokalen Mythologien, militärischen Taktiken und emotionaler Medienwirksamkeit.

Die Arbeiten von Orejarena & Stein wurden international ausgestellt, unter anderem in der Vin Gallery in HCMC, im Projektraum von Jiazazhi Press in Shanghai, im Vincom Center for Contemporary Art in Hanoi, im FOAM in Amsterdam, im Ogden Museum of Southern Art in New Orleans, in der Palo Gallery in New York, im The Curator's Room in Amsterdam, beim Belfast Photo Festival, beim Arles Photo Festival und bei Encontros da Imagem. Ihr erstes Buch, Long Time No See, wurde 2022 bei Jiazazhi Press veröffentlicht. Ihr zweites Buch, American Glitch, ist bei Gnomic Book erschienen. TACTICS & MYTHOLOGIES ist ihre erste institutionelle Ausstellung weltweit.

TACTICS AND MYTHOLOGIES ist die erste Ausstellung der neuen Ausstellungs- und Veranstaltungsreihe »Viral Hallucinations«, die von 2024 bis 2026 die Rolle fotografischer und KI-generierter Bilder für den wachsenden gesellschaftlichen Einfluss von Verschwörungstheorien adressiert. Die Reihe wird von der Deutschen Börse Photography Foundation gefördert.

Kuratiert von Nadine Isabelle Henrich, Kuratorin Haus der Photographie.

This first European solo exhibition by the New York based duo Andrea Orejarena (*1994, Colombia) and Caleb Stein (*1994, United Kingdom) presents photographs and films that deal with practices of simulation and narratives of disinformation. As an artist duo, Orejarena, a cognitive scientist and photographer, and Stein, a documentary photographer, are known for their conceptually documentary projects on individual perception and the collective construction of reality.

In reaction to the growing distrust in the distinction between reality and fiction that characterizes the present, the duo began an exploratory journey through social media and photography in 2020. They have created an initial archive of over 1.500 photographs and current visual forms that manifests the influence of conspiracy narratives on American society and individual perception.

This archive of photographic forms of “alternative facts” engages in dialogue with landscape photographs by Orejarena and Stein in the installation “American Glitch”, which documents and decodes the supposed locations of conspiratorial events. By embracing traditions such as road trips and street photography, American Glitch interweaves continuities from American photographic history with the new phenomena of contemporary online culture.

Since their project “Long Time No See” (2015–2020), the duo has been working on the pressing question of what role photography can play today in the interplay of perception and imagination. Long Time No See, created in collaboration with young Vietnamese artists and veterans in Hanoi, traces the artistic engagement with current memories and consequences of the Vietnam-American-War. In poetic portraits and landscape views, Long Time No See presents a visual exploration of the nuances between dissonant historical writings and visual forms, spanning documentation and subjective perception.

Orejarena & Stein’s work has been exhibited internationally, including at Vin Gallery in HCMC, Jiazazhi Press’s project space in Shanghai, Vincom Center for Contemporary Art in Hanoi, FOAM in Amsterdam, Ogden Museum of Southern Art in New Orleans, Palo Gallery in New York, The Curator’s Room in Amsterdam, Belfast Photo Festival, Arles Photo Festival, Encontros da Imagem, among others. Their first book, Long Time No See, was published by Jiazazhi Press in 2022. Their second book, American Glitch is published by Gnomic Book. Tactics & Mythologies is their first institutionally show worldwide.

The exhibition is accompanied by image and media literacy workshops for different age groups.

On September 13, the transdisciplinary symposium "Viral Hallucinations: Visual Worlds of Disinformation" will take place in the auditorium of the Deichtorhallen. Participation is free of charge, registration is required.

The new exhibition series “Viral Hallucinations” addresses the range of documentary strategies in a globally connected “post-truth era.”


Curated by Nadine Isabelle Henrich, Curator House of Photography.

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Good stuff, but watch the temp
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I used this in my single cab pickup truck (89 ford.) It only took half the box (10 sheets or 25 square feet) to do the floors, but I bought the big box because I plan to do the doors, back wall, and maybe the roof as well. One thing I learned is that the temperature matters when you’re doing the installation. It was around 55F when I started in the evening, and when it dipped down into the 40s the sheets would not stick to the metal, and were hard to compress with the roller. That’s why I ended up only doing the floors and not any vertical surfaces; i will have to wait for a nice hot day. The other thing is that the foil layer on top is razor sharp at the edges, definitely wear gloves! I didn’t notice until after but I have little papercuts all over my fingers. Aside from those things, the install was easy and straightforward. The sheets cut easily with scissors, and any goo that ends up on your hands or scissors can be cleaned up with acetone (nail polish remover), or lacquer thinner. I would use this stuff again.
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Amazing the difference it makes on dumping the noise. Very easy to install. Pell and stick literally! Great!
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