SKU: 78105057765

Manual for Survival

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Manual for SurvivalManual for Survival zur Ausstellung Survival in the 21st century Herausgeber: Georg Diez, Dirk Luckow, Nicolaus Schafhausen Editors: Georg Diez, Dirk Luckow, Nicolaus Schafhausen 272 Seiten 87 Abbildungen in Farbe Deutsch, Englisch Klappenbroschur 16,5 cm x 24 cm 272 pages 87 illustrations in color German, Englisch softcover 16,5 cm x 24 cm Zur Ausstellung erscheint die Publikation Manual for Survival im Hirmer Verlag mit Texten der Kuratoren, einem

Manual for Survival
zur Ausstellung Survival in the 21st century

Herausgeber: Georg Diez, Dirk Luckow, Nicolaus Schafhausen
Editors: Georg Diez, Dirk Luckow, Nicolaus Schafhausen

272 Seiten
87 Abbildungen in Farbe
Deutsch, Englisch
Klappenbroschur
16,5 cm x 24 cm

272 pages
87 illustrations in color
German, Englisch
softcover
16,5 cm x 24 cm

Zur Ausstellung erscheint die Publikation »Manual for Survival« im Hirmer Verlag mit Texten der Kuratoren, einem Vorwort von Dirk Luckow sowie Beiträgen von Superhero Sighting Society, Frédérique Aït-Touati, Alexandra Arènes, James Bridle, Holly Jean Buck, Sam Chermayeff Office, Georg Diez, Axelle Grégoire , Srećko Horvart, Aris Komporozos-Athanasiou, Jota Mombaça, Trevor Paglen, Nicolaus Schafhausen, Ece Temelkuran, Katinka Versendaal

Die Ausstellung SURVIVAL IN THE 21st CENTURY bietet mit Werken von rund 40 internationalen Künstler*innen eine Vielzahl von Antworten auf die Frage, wie wir im 21. Jahrhundert überleben wollen. Wie lässt sich Zukunft denken? Was können wir aus der Vergangenheit für unsere Zeit neu entdecken? Wie können Kulturen erhalten bleiben? Welchen Einfluss haben Technologien auf den Menschen im digitalen Zeitalter? Wie kann man den Planeten Erde neu sehen, wie werden sich unsere Ernährung und unser Zusammenleben verändern?

Die ausgestellten Kunstwerke liefern keine Patentrezepte oder pauschale Lösungen. Sie stellen vermeintliche Gewissheiten in Frage, bieten Denkanstöße und eröffnen neue Horizonte.

SURVIVAL IN THE 21st CENTURY wird über die künstlerische Praxis Weltentwürfe hinaus zugänglich machen. In knapp 100 Workshops, Lectures und Aktionen können Besucher*innen in der »School of Survival« gemeinsam Strategien und Fertigkeiten für die Herausforderungen des 21. Jahrhunderts entwickeln. Das Ausstellungshaus wird zu einem Lernraum für die Zukunft. Kunst ist das Medium, Überleben ist das Ziel.

Mit Werken von Panteha Abareshi, Lawrence Abu Hamdan, Yalda Afsah, Abbas Akhavan, Assemble & AAU Anastas, Mohamed Bourouissa, Andrea Bowers, James Bridle, Julian Charrière, Sam Chermayeff Office, Edith Dekyndt, Simon Denny, Cao Fei, Liam Gillick, Lubaina Himid, Kablusiak, Leon Kahane, Paul Kolling, Sharon Lockhart, Goshka Macuga, Taus Makhacheva, Jota Mombaça, Shaun Motsi, New Red Order (NRO), Olaf Nicolai, Christelle Oyiri, Céline Pagès, Trevor Paglen, Grayson Perry, Shlomo Pozner, Bruno Serralongue, Jeremy Shaw, Charles Stankievech, Thomas Struth, Ron Terada, Emmanuel Van der Auwera, Syrus Marcus Ware.

Kuratoren: Georg Diez und Nicolaus Schafhausen
Research Curators: Lena Baumgartner und Frances Fürst

The exhibition “Manual for Survival” is published by Hirmer Verlag with texts by the curators, a foreword by Dirk Luckow and contributions by Superhero Sighting Society, Frédérique Aït-Touati, Alexandra Arènes, James Bridle, Holly Jean Buck, Sam Chermayeff Office, Georg Diez, Axelle Grégoire, Srećko Horvart, Aris Komporozos-Athanasiou, Jota Mombaça, Trevor Paglen, Nicolaus Schafhausen, Ece Temelkuran, Katinka Versendaal.

The exhibition project SURVIVAL IN THE 21st CENTURY explores the foundations of life in the age of the polycrisis. Developed by Georg Diez and Nicolaus Schafhausen in close cooperation with the Deichtorhallen, the exhibition incorporates elementary questions of ecology, technology and spirituality. The "School of Survival" expands the about 40 international artistic positions and turns the exhibition venue into a learning space for the future.

SURVIVAL IN THE 21st CENTURY focuses on fundamental questions of human existence and reflects on the radical disruptions we are facing: climate change, the digital revolution, growing injustice on a national and global scale, the crisis of democracy and the question of community. The elaborate exhibition with numerous multimedia installations and an exhibition architecture designed by Bundschuh Architekten demonstrates how cultural survival requires new cultural practices.

In a radically complex world, fundamental questions are posed differently and anew: how can we manage, build and live differently, eat differently, use technology differently for people, how can we learn from non-Western societies, how can human and non-human coexistence be organized differently, how can ecology become a comprehensive lesson, how can we change our political processes and institutions so that they become more transparent, more direct, more democratic?

The exhibition aims to make world concepts accessible beyond artistic practice. It is a social offer to learn together and from each other as a constructive public - in workshops, lectures and continuously through the seminar-like educational program of the "School of Survival" also in the city. The exhibition house will become a kind of school for the new century, which sees and embraces the changes in education and learning as essential. Art is the medium, survival is the goal.

With works by Panteha Abareshi, Lawrence Abu Hamdan, Yalda Afsah, Abbas Akhavan, Assemble & AAU Anastas, Mohamed Bourouissa, Andrea Bowers, James Bridle, Julian Charrière, Sam Chermayeff Office, Edith Dekyndt, Simon Denny, Cao Fei, Liam Gillick, Lubaina Himid, Kablusiak, Leon Kahane, Paul Kolling, Sharon Lockhart, Goshka Macuga, Taus Makhacheva, Jota Mombaça, Shaun Motsi, New Red Order (NRO), Olaf Nicolai, Christelle Oyiri, Céline Pagès, Trevor Paglen, Grayson Perry, Shlomo Pozner, Bruno Serralongue, Jeremy Shaw, Charles Stankievech, Thomas Struth, Ron Terada, Emmanuel Van der Auwera, Syrus Marcus Ware.

Curators: Georg Diez and Nicolaus Schafhausen
Research Curators: Lena Baumgartner und Frances Fürst

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SKU: 78105057765

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4.1 ★★★★★
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Vivian Davis
Fort Morgan, US
★★★★★ 5
Works just like it says.
Color: 8-in-1 Silver, Size: Rechargeable
My hands can no longer open a bottle of wine. This makes it so easy.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 29, 2026
F
Verified Purchase
Fernando Biancardi P.
Battle Creek, US
★★★★★ 5
Great device
This wine opener is great. Is small and feels solid It really works. I was also impressed by the automatic dumping of the cork.
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Reviewed in the United States on May 29, 2026
D
Verified Purchase
Diane D
Waukegan, US
★★★★★ 5
Best electric corkscrew - by far
I have tried others but this electric corkscrew outshines them all....so far. Really like it. I have been disappointed with some before though if you get a very dry cork that splinters.....but this one has a much smoother operation and just works better. Good price too.
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Reviewed in the United States on April 14, 2026
R
Verified Purchase
RSj
Los Angeles, US
★★★★★ 5
It is light weight, rechargeable and it works hands-free.
This wine bottle opener is well designed and well constructed. It comes with a foil cutter and works hands-free when you push the button. It pulls up the cork - and then pushes it back out to discard the cork. It is rechargeable!! It is replacing an older opener that left behind cork fragments in the wine - and ate AA batteries quickly.
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Reviewed in the United States on May 30, 2026
D
Verified Purchase
DME
Fort Morgan, US
★★★★★ 5
Best on the market!
I have tried three other brands of electric cork pullers. The fact that I now invested in a fourth probably telegraphs what this review is all about: this Vinabon device is great, hands down winner in the electric cork puller sweepstakes! First, its motor is more powerful. Some winemakers are employing corks that fit pretty tightly, and the other brands I used would occasionally be unable to remove the cork. The screw would simply stop turning, without ay way of resuming. Advantage: the bottle. Second, it is small, about half the size of the others, leaving a small footprint on the counter. Third, it lasts much longer on a single charge. It doesn't sit in a cradle, because it doesn't need to. Assuming you open 10 to 20 bottles a week, you will be able to go two weeks without needing to plug the charging cable in, and a full charge does not take long. 4 vertical lights on the cylinder tell you how much of a charge remains. Fourth, you simply press and release the start button and maintain gentle pressure on the bottle while the device descends into the cork and removes it. As soon as you remove the device from the bottle, it immediately begins to eject the cork. All with that one touch of the button! Fifth, if you encounter a particularly tight cork, the device will stop, whereupon you push the button again and it continues. A couple of synthetic corks required me to restart 3 for 4 times, but it ultimately conquered them all! That leaves only one issue: a failed cork that breaks during the removal process, because the screw cannot engage the cork enough to remove it without it breaking. To my knowledge, the only solutions to this, with any cork puller, are to resort to an Ah So, or if that cannot do it, just shove the cork down into the bottle, and drink the entire bottle in one evening. Truth to tell, I have, myself, actually enjoyed that latter remedial step, especially with a larger format bottle on an evening when I am dining alone. I cannot yet report on the ultimate problem that seems to vex all electric cork pullers I have owned: If the cork disintegrates within the cylinder during removal, how do you get the remains out? I threw my last cork puller away because I could not remove the cork detritus stuck in the cylinder, rendering the device useless thereafter. If there is a solution to that, I would not be surprised to find that this unit already handles the problem. If BMW were to ever make an electric cork puller, I expect it would be much like this one. t costs almost twice as much as the others I have owned, but you get what you pay for. After all, you can buy a small fleet of Yugo's for the price of a BMW. Bravo, Vinabon! I
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Reviewed in the United States on September 17, 2024

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