Canon EOS R6 Mark II Mirrorless Camera with 24-105mm f/4 L IS USM
SKU: 98759166019

Canon EOS R6 Mark II Mirrorless Camera with 24-105mm f/4 L IS USM

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Description

Canon EOS R6 Mark II Mirrorless Camera with 24-105mm f/4 L IS USMCanon EOS R6 Mark II Mirrorless Camera with 24 105mm f 4 L IS USM Canon SKU: 5666C011 Helix SKU: CA5666C011 Overview EOS R6 Mark II Full Frame Mirrorless Camera Introducing a standard full frame camera evolved with hybrid features for still and movie shooting. The EOS R6 Mark II enables various photographic expressions that transcend boundaries between recording personal life and professional production purposes, as well as between photo shooting and

Canon EOS R6 Mark II Mirrorless Camera with 24-105mm f/4 L IS USM

Canon SKU: 5666C011 | Helix SKU: CA5666C011

Overview

EOS R6 Mark II Full-Frame Mirrorless Camera

Introducing a standard full-frame camera evolved with hybrid features for still and movie shooting. The EOS R6 Mark II enables various photographic expressions that transcend boundaries between recording personal life and professional production purposes, as well as between photo shooting and movie shooting. Achieve creativity in everyday life with the EOS R6 Mark II.

High Image Quality Featuring a New 24.2 Megapixel Full-Frame CMOS Sensor

The EOS R6 Mark II features improved resolution compared to its predecessor. A Canon-developed 35mm full-frame CMOS sensor with approx. 24.2 effective megapixels enables the camera to capture sharp and detailed images, even in low-light scenarios. Regardless of conditions — whether day or night, indoor or outdoor — dark portions of the image, even at high ISO speeds and increased sensitivity, are rendered with low noise.

DIGIC X Image Processor

A powerful DIGIC X Image Processor enables high-performance operation and coordination of processes such as Dual Pixel CMOS AF II, Image Stabilization, image processing, and video functionality. The DIGIC X Image Processor helps ensure your photos and videos look sharp and maintain high-resolution with minimal noise or grain.

High-Speed Continuous Shooting

For the first time among full-frame Canon EOS cameras, the EOS R6 Mark II introduces RAW Burst Mode1 at up to 30 fps. By turning on RAW Burst Mode’s pre-shooting, shooting can start slightly before (about 0.5 seconds earlier) the shutter button is fully pressed.  Coupled with high-speed continuous shooting at speeds of up to 12 fps with mechanical shutter, and up to 40 fps using electronic (silent) shutter, the camera can capture the split-second details between a subject’s movements. This is great for dynamic action photos such as athletes, animals, and vehicles in motion or even capturing momentary changes in facial expressions for portraits.

Blazing Fast Autofocus

The highly responsive Dual Pixel CMOS AF II system covers up to approximately 100% x 100% of the picture area, breaking the image into up to 1,053 automatically-selected AF zones during Whole Area AF.  The result is outstanding AF coverage, and the compositional freedom to focus sharply on a subject nearly anywhere in the frame.

Highly Accurate Subject Detection

Developed using Deep Learning Technology, horses, trains, and airplanes are newly detectable, in addition to conventional subjects like people, animals including dogs, cats and birds, and vehicles — cars and motorcycles — especially in a motorsports environment.2,3 For more ease of use, Auto mode is now available, in which the camera automatically selects the type of subject without the need to switch the Subject Detection setting in the menu.

Head, Face, and Eye Detection

Even in situations where many cameras may struggle to detect a subject, the EOS R6 Mark II can locate and focus upon a person’s head, face, or eye when the Subject Detection menu is set to People, allowing more ease of use, fast acquisition of your subject, and improvements to accuracy when capturing videos or still images. Additional control is now available for detecting the subject’s left or right eye – which can be also programmed to a Custom Button making it easy to focus on the preferred eye in the moment.

Animal Detection

The EOS R6 Mark II can effectively track the whole body, face, or eye of cats, dogs, birds, and now horses, for speed and precision — regardless of the animal’s size, posture, or orientation of the face.2

Optimized for Video

With ample video recording features such as 6K oversampled uncropped 4K movie at up to 60 fps, Full-HD High-frame rate movie recording at up to 180 fps4, and AF tracking, the EOS R6 Mark II can meet the needs of hobbyists and experienced video content creators alike.

Continuous Movie Recording That Exceeds 30 Minutes

The EOS R6 Mark II can continuously record Full-HD video for up to 6 hours, allowing you to set up your video and keep your project rolling without worrying about it stopping.5 You’ll also be able to continuously record Full-HD 179.82p up to 60 minutes or more, and 4K 59.94p up to 50 minutes or more.

Features for Advanced Creators

Canon Log 3, HDR PQ, in-camera Full-HD proxy recording, and 6K 59.94p RAW data output to an external storage device6 provides the image quality to support various production purposes. 

Focus breathing correction (with compatible Canon RF lenses)7 automatically compensates for changes in the angle of view caused by focus operations during movie recording. 

Simultaneous recording of movies and stills to dual UHS-II SD card slots enables a backup to be created, so you can shoot with confidence.

In-body Image Stabilizer

Equipped with movie digital IS and 5-axis in-body IS, the EOS R6 Mark II enables smooth movie shooting with less camera-shake blur. With up to 8 stops of shake correction with Coordinated IS — combining In-body Image Stabilization, and optical Image Stabilization in certain Canon RF lenses — the camera makes handheld shooting easier at slower shutter speeds and in low-light situations.8 To counter large, low-frequency camera movements, such as recording while walking, there’s also electronic Movie Digital IS, which can be independently activated.

Vari-Angle Touchscreen LCD

Featuring a 3.0-inch, 1.62 million dot Clear View LCD II Vari-angle Touchscreen LCD, the EOS R6 Mark II makes it easy to compose and shoot from virtually any angle.

0.5-inch OLED EVF with Approx. 3.69 Million Dots

A high-precision 0.5-inch OLED (Organic Light-Emitting Diode) EVF with approx. 3.69 million dots and a 23mm eyepoint displays a bright image and extensive shooting information. The EOS R6 Mark II’s EVF supports up to a 120 fps refresh rate and has been designed to provide a bright, sharp and colorful 100% view of the subject at hand.  There’s also an Optical Viewfinder (OVF) Simulation setting, which provides a higher dynamic range viewfinder image for superior viewing in harsh, contrasty lighting situations.

Wired and Wireless Communications

The EOS R6 Mark II supports both wired and wireless connections to your smartphone via its USB Type-C9 port, built-in Wi-Fi®, and Bluetooth® technology, making it easy to upload and share movies and photos to your favorite social networks.

Built-in Bluetooth® Capability

Bluetooth® pairing helps you connect the camera to compatible smart devices using the free Canon Camera Connect app. This low-energy wireless connection helps preserve battery life, while providing remote control of the camera. It also sends continuously updated GPS location data from your phone, letting you geotag what you've captured so you know precisely where you captured the photo.

Built-in Wi-Fi Capability

Enable wireless functions, such as file viewing and transfer, by connecting to Wi-Fi quickly and seamlessly, and exchange data with other Wi-Fi compatible Canon cameras. Using the Canon Camera Connect app, you can also transfer files to your mobile device to browse and share on social media.

USB-C Connection

New to the EOS R6 Mark II is the ability to connect the camera to a computer or smartphone via USB-C.9 All Canon Camera Connect app features that can be used with Wi-Fi are now available when the camera and smartphone are connected via USB, using a compatible cable for your device.

UVC Livestreaming

UVC/UAC compatibility allows the EOS R6 Mark II to be used as a web camera and stream live video in Full HD, without additional computer software, to applications such as Zoom™, Microsoft Teams™, Skype™, and similar on-line meeting software.9 Thanks to the full-frame CMOS sensor, you’ll be able to distribute clear live video images with low noise during remote conferences or livestreaming content.

 

Specifications

Specifications

Type

Type Digital interchangeable lens, mirrorless camera
Image Processor DIGIC X
Recording Media (Two) SD card slots
  • Compatible with UHS-II
  • Eye-Fi cards and Multimedia cards (MMC) are not supported.
Compatible Lenses Canon RF lens group (including RF-S lenses) When using Mount Adapter EF-EOS R: Canon EF or EF-S lenses (excluding EF-M lenses)
Lens Mount Canon RF Mount


Image Sensor
Type Full-frame CMOS sensor (compatible with Dual Pixel CMOS AF)
Effective Pixels Approx. 24.2 megapixels
Screen Size Approx. 36.0 x 24.0 mm
Pixel Unit Approx. 6.00 µm square
Total Pixels Approx. 25.6 megapixels
Aspect Ratio 3:2 (Horizontal:Vertical)
Color Filter System RGB primary color filters
Low Pass Filter Installed in front of the image sensor, non-detachable
Dust Deletion Feature
  1. Self Cleaning Sensor Unit
    • Removes dust adhering to the low-pass filter.
    • At power off only / Enable / Disable. Performed automatically (taking about approx. 2 sec. as indicated on the screen) or manually (taking about approx. 8 sec. as indicated on the screen).
    • After manually activated cleaning, the camera will automatically restart (Power OFF to ON).
    • When [Multi Shot Noise Reduction], [Multiple exposures], or [HDR mode] is set, [Clean now] and [Clean manually] cannot be selected.
  2. Dust Delete Data acquisition and appending
    • The coordinates of the dust adhering to the low-pass filter are detected by a test shot and appended to subsequent images.
    • The dust coordinate data appended to the image is used by the EOS software to automatically erase the dust spots.
    • Not available with RF-S/EF-S lenses, in cropped shooting, during focus bracket shooting, in FAW burst mode, or multiple-exposure shooting.
  3. Manual cleaning (by hand)

Recording System
Recording Format Compliant to Design rule for Camera File system 2.0 and Exif 2.31*. *Supports time difference information in Exif 2.31.
Image Format JPEG, HEIF, RAW / C-RAW / Dual Pixel RAW/ RAW burst (CR3), C-RAW (Canon original) ; Movies: ALL-I (Time-lapse video only), IPB (MP4)
File Size * At H+ Drive setting (12 fps), using Mechanical or 1st-curtain Electronic shutter.
*1: Number of shots using a 32 GB card that conforms to Canon testing standards.
*2: Number of shots using a 32 GB UHS-II card that conforms to Canon testing standards.
*3: When set to [HDR shooting (HDR PQ): Disable].
*4: When set to [HDR shooting (HDR PQ): Enable].
File Numbering The following file numbers can be set:
  1. File numbering methods
    • Continuous numbering
      • The numbering of captured images continues even after you replace the card.
    • Auto reset
      • When you replace the card, the numbering will be reset to start from 0001. If the new SD card already contains images, the numbering will continue from the last recorded image in the card.
  2. Manual reset
    • Resets the file number to 0001, and creates a new folder automatically.
RAW + JPEG / HEIF Simultaneous Recording Simultaneous recording of any combination of RAW/C-RAW and JPEG/HEIF image-recording quality is supported.
Color Space Selectable between sRGB and Adobe RGB
Picture Style
  1. Auto
  2. Standard
  3. Portrait
  4. Landscape
  5. Fine Detail
  6. Neutral
  7. Faithful
  8. Monochrome
  9. User Defined 1-3
    • In Scene Intelligent Auto, [Auto] will be set automatically.
    • [Standard] is the default setting for [User Def. 1-3].

White Balance
Settings  
  1. Auto (Ambience priority/White priority)
  2. Day Light
  3. Shade
  4. Cloudy*1
  5. Tungsten light
  6. White fluorescent light
  7. Flash
  8. Custom (Custom WB)
  9. Color temperature*2
*1: Effective also in twilight and sunset.
*2: White balance can be adjusted during movie recording.
Auto White Balance Option between ambience priority and white priority settings, using SET button
White Balance Shift Blue/amber bias: ±9 levelsMagenta/green bias: ±9 levelsCorrected in reference to the current WB modes color temperature.

Viewfinder
Type  OLED color electronic viewfinder; 0.5-inch, approx. 3.69 million dots
Coverage Approx. 100% vertically and horizontally relative to the shooting image area (with image quality L, at approx. 23mm eyepoint).
Magnification / Angle of View Approx. 0.76x / Approx. 35.2 degrees (with 50mm lens at infinity, -1 m-1)
Eye Point Approx. 23mm (at -1 m-1 from the eyepiece lens end)
Dioptric Adjustment Range Approx. -4.0 to + 2.0 m-1 (dpt)
Viewfinder Information
  1. Maximum burst
  2. Possible shots/Sec. until self-timer shoots
  3. Focus Bracketing/ Multiple-exposure/HDR shooting/Multi Shot Noise Reduction/Bulb time/Interval timer
  4. Shooting mode
  5. AF method
  6. AF operation
  7. Image quality
  8. Card
  9. Drive mode
  10. Metering mode
  11. No. of remaining shots for focus braketing, multiple exposures, or interval timer
  12. Electronic level
  13. Movie recording time available
  14. Battery level
  15. Image Stabilizer (IS mode)
  16. Histogram (Brightness/RGB)
  17. Quick Control button
  18. Anti-flicker shooting
  19. White balance/White balance correction
  20. Picture style
  21. Auto Lighting Optimizer
  22. Still photo cropping / Aspect ratio
  23. AF point (1-point AF)
  24. AEB/FEB
  25. View Assist
  26. HDR PQ
  27. Flash ready / FE lock / High-speed sync
  28. Electronic shutter
  29. Touch shutter / Create folder
  30. AE lock
  31. Shutter speed / Multi-function lock warning
  32. Aperture value
  33. Wi-Fi® function
  34. Wi-Fi® signal strength
  35. Bluetooth® function
  36. Exposure simulation
  37. Magnify button
  38. ISO speed
  39. Highlight tone priority
  40. Exposure compensation
  41. Exposure level indicator

Autofocus
Focus Method Dual Pixel CMOS AF
Number of AF zones available for Automatic Selection  AF area: Horizontal: Approx. 100% x Vertical: Approx. 100% (100% x 100% AF coverage in Face Detect + Tracking AF; coverage can vary, depending upon lens being used) Stills: Max. 1053 zones (39 x 27) Movies: Max. 1053 zones (39 x27)
Selectable Positions for AF Point AF area: Horizontal: Approx. 90% x Vertical: Approx. 100% Stills: Max. 4897 positions (83 x 59) Movies: Max 4067 positions (83 x 49)
AF Working Range EV -6.5 to 20 (f/1.2 lens*, center AF point, One-Shot AF,at 73°F/23°C, ISO 100 * Except RF lenses with a Defocus Smoothing (DS) coating.
Focusing brightness range (still photo shooting) EV –6.5 to 21 (with an f/1.2 lens,* center AF point, One-Shot AF at room temperature, and ISO 100) * Except RF lenses with a Defocus Smoothing (DS) coating.
Focusing brightness range (in movie recording) 4K: EV –4.0 to 21 Full HD: EV –4.5 to 21 (with an f/1.2 lens,* center AF point, One-Shot AF at room temperature, ISO 100, and 29.97 / 25.00 fps.) * Except RF lenses with a Defocus Smoothing (DS) coating.
Available AF Areas
  • Spot AF
  • 1-point AF
  • Expand AF area: Above/below/left/right
  • Expand AF area: Around
  • Flexible Zone AF 1
  • Flexible Zone AF 2
  • Flexible Zone AF 3
  • Whole area AF
Available Subject Detection
  • Auto
  • People
  • Animals (dogs / cats / birds / horses)
  • Vehicles (motorsports cars or motorcycles / aircraft / trains)
    * Certain types of animals or vehicles may not be detected, depending on shape and appearance
Eye Detection Auto:
  1. Selects the eye closer to the camera (as detected from the angle of the face).
  2. At the same distance from the camera, selects the eye closer to the center of the image.
Manual:
  1. Can be selected by touch.
  2. Can be selected with the Multi-controller.

 

Exposure Control

Metering Modes  Real-time metering from CMOS image sensor (384 [24x16] metering zones)
  1. Evaluative metering (AF point-linked)
  2. Partial metering (approx. 5.9% of the area at the center of the screen)
  3. Spot metering (approx. 3.0% of the area at the center of the screen)
  4. Center-weighted average metering
Metering Range EV -3 - 20 (at 73°F/23°C, ISO 100)(Still Photo Shooting)
Exposure Modes
  1. Scene Intelligent Auto
  2. Hybrid Auto
  3. Special Scenes
  4. Creative Filters
  5. Flexible-priority AE
  6. Program AE
  7. Shutter-priority AE
  8. Aperture-priority AE
  9. Manual Exposure
  10. Bulb Exposure
  11. Custom Shooting Modes C1, C2, C3
ISO Speed Range Manually Set
  • For [Highlight tone priority], the settable ISO speed range will be ISO 200 to 102400.
  • Expanded ISO cannot be set for HDR mode or during HDR PQ shooting.

ISO Auto range settings in still photo shooting

*1: ISO 200 when set to [Highlight tone priority: Enable/Enhanced].
*2: Varies depending on the [Maximum] and [Minimum] settings for [Auto range].
*3: If outside the setting range, changed to the value closest to ISO 400.
Exposure Compensation Click here to view the full specifications PDF.
AE Lock
  1. Auto AE lock
  • AE is locked as soon as subjects are in focus using One-Shot AF when set to selected metering mode in [C.Fn2: AE lock meter. mode after focus].
  • User-set AE lock.
    • Use the AE lock button (update by pressing the button again) in Fv, P, Tv, Av, and M mode.
    • Enabled in all metering modes.9

 

Shutter

Type  Electronically controlled focal-plane shutter
  1. Electronic first curtain
  2. Mechanical shutter
  3. Electronic shutter*
* Cannot be used in conjunction with the following functions: flash photography, HDR shooting, multiple exposures, Multi Shot Noise Reduction, AEB, HDR PQ, anti-flicker shooting, Dual Pixel RAW shooting, Digital Lens Optimizer [High]. * A shutter release sound is not generated. However, note that the sounds other than the shutter release sound (aperture, focusing lens drive sound/electronic sound, etc.) may be generated. * In electronic shutter shooting under conditions such as flash firing by other cameras or with fluorescent lighting or other flickering light sources, a strip of light or banding due to the brightness difference may be recorded in the image.
Shutter Speeds Mechanical / 1st-curtain Electronic shutter: 1/8000th sec – 30 seconds, in 1/3 or 1⁄2-step increments
Electronic shutter: 1/8000th sec – 30 seconds, in 1/3 or 1⁄2-step increments (1/16,000th possible, if user-set in Tv or M shooting modes)
X-sync Speed Mechanical Shutter: 1/200 sec. Elec. 1st-curtain: 1/250 sec.
Shutter Release Soft-touch electromagnetic release
Self Timer 10-sec. delay, 2-sec. delay

 

Image Stabilization

Still Photo IS  In-body IS operation can be selected when using a non-IS lens.
  • Always on
  • Only for shot (no stabilization in viewfinder/LCD screen between shots) Coordinated IS when used with Canon RF or RF-S lenses having optical Image Stabilization

 

External Speedlite

Accessory Shoe  Canon Multi-function accessory shoe Optional Canon AD-E1 adapter required for conventional shoe-mount flashes and accessories
E-TTL Balance Ambience priority, standard, flash priority
Flash Exposure Compensation ±3 stops in 1/3- or 1/2-stop increments
Continuous flash control E-TTL each shot / E-TTL 1st shot

 

Drive System

Drive Modes and Continuous Shooting Speed Click here to view the full specifications PDF.

 

HDR Shooting

HDR Shooting (HDR PQ) Disable / Enable
Still Photo HDR PQ Click here to view the full specifications PDF.
Movie HDR PQ Click here to view the full specifications PDF.
Continuous HDR Shooting (still images) 1 shot only / Every shot


Video Shooting

Shooting Times Click here to view the full specifications PDF.
*1 Time available for continuous shooting in 23°C / 73°F environment, from a cold start. If the camera is in LV mode standby before shooting or the ambient temperature is high, the shooting time may be shorter.
*2 According to Canon measurement conditions when using UHS-II cards conforming to Canon testing standards.
*3 The maximum duration of shooting may be shorter under some circumstances even if recording begins from "cold start," due to a rise in temperature inside the camera caused by pre-shooting camera setting operations or by prolonged use of the Live View mode. When the card is full, movie recording stops automatically. In this case, duration time when you erase the data and restart shooting.
File Format
Normal Movies Click here to view the full specifications PDF.
* Recording in AAC when [Audio compression] (C.Fn4) is set to [Enable] or Linear PCM when set to [Disable].
Estimated Recording time, Movie Bit Rate and File Size
H.264/AVC (Canon Log: Off, HDR PQ: Off)
Click here to view the full specifications PDF.
* Bit rate only applies to video output, not audio or metadata.
* Audio is recorded when [C.Fn4 audio compression:Enable] (Audio: AAC) is set.
* Movie recording stops when the maximum recording time per movie is reached.
* No audio is recorded for approx. the last two frames with the compression method for movie recording quality set to IPB (Standard) or IPB (Light) and the camera set to [C.Fn4 Audio compression: Enable]. Moreover, the video and sound may be slightly out of sync when movies are played back in Windows.
* Mbps — megabits per second (8 megabits = 1 megabyte)
Estimated Recording Time, Continued.
H.265/HEVC (Canon Log: On or HDR PQ: On)
Click here to view the full specifications PDF.
* Bit rate only applies to video output, not audio or metadata.
* Audio is recorded when [C.Fn4 audio compression:Enable] (Audio: AAC) is set.
* Movie recording stops when the maximum recording time per movie is reached.
31 min.
* No audio is recorded for approx. the last two frames with the compression method for movie recording quality set to IPB (Standard) or IPB (Light) and the camera set to [C.Fn4 Audio compression: Enable]. Moreover, the video and sound may be slightly out of sync when movies are played back in Windows.
* Mbps — megabits per second (8 megabits = 1 megabyte)
Card Performance Requirements
Video AF
Dual Pixel CMOS AF; Movie Servo AF available in AF Menu
Exposure Compensation
±3 stops in 1/3- or 1/2-stop increments
Time Code
Yes (Count up, Start time setting, Movie recording count, Movie play count, HDMI time code on/off, HDMI rec. command on/off, Drop frame enable/disable)
Movie Pre-recording (On/Off)
3 or 5 seconds; user-selectable
Time-lapse Movie Setting
Interval 2 sec – 99:59:59; Number of frames 2–3,600; Movie recording size 4K/Full HD; Auto exposure fixed @ first frame/auto for each frame; Beep per frame recorded (volume setting 0/silent – 5)
Time-lapse Playback Frame Rate
29.97 (set to NTSC); 25.00fps (set to PAL)

 

LCD Screen

Type  TFT color, liquid-crystal monitor
Monitor Size 3.0-inch (screen aspect ratio of 3:2) 2.95 in./7.5cm diagonal (2.44 in./6.2cm width, 1.65 in./4.2cm height)
Dots Approx. 1.62 million dots
Coverage Approx. 100% vertically/horizontally
Brightness Control Manually adjustable to one of seven brightness levels
Touch-screen Operation Supported for AF Point selection; Touch AF; Touch Shutter; Menu selection; Quick Control Menu; Magnified view
Coating Clear View LCD II
  • Anti-smudge coating applied.
  • Anti-reflection coating not applied.
Interface Languages 29 (English, German, French, Dutch, Danish, Portuguese, Finnish, Italian, Ukraine, Norwegian, Swedish, Spanish, Greek, Russian, Polish, Czech, Hungarian, Vietnamese, Hindi, Romanian, Turkish, Arabic, Thai, Simplified/Traditional Chinese, Korean, Malay, Indonesian, Japanese)

 

Playback

Highlight Alert The white areas with no image data will blink.
Histogram Brightness and RGB

 

Quick Control Function

Function The Quick Control screen can be accessed by pressing the Quick Control button during shooting, recording, or playback.
Quick Control Screen The following settings are available for the [Quick Control screen] during movie recording.
  • View 1: Conventional Quick Control screen
  • View 2: Cinema EOS-style Quick Control screen

 

Image Protection and Erase

Protection
  1. Single image (select image)
  2. Select range
  3. All images in folder
  4. All images on card
    • Image browsing and image search can be based on ratings.
    • Ratings-based image selections also possible with DPP.
  5. All found images (only during image search)
Erase Except protected images
  1. Select images to erase
  2. Select range
  3. All images in folder
  4. All images on card
  5. All found images (only during image search)

 

Direct Printing

Compatible Printers Not supported

 

DPOF: Digital Print Order Format

DPOF Compliant to DPOF Version 1.1

 

Wi-Fi

Standards Compliance IEEE 802.11b/g/n/a/ac
Transmission Method DS-SS modulation (IEEE 802.11b) OFDM modulation (IEEE 802.11g/n/a/ac)
Transition Frequency (Central Frequency) 2.4 GHz band Frequency: 2412 to 2462 MHz Channels: 1 to 11 channels 5.0 GHz band Frequency: 5180 to 5825 MHz Channels: 36 to 165 channels1
Connection Method (1) Camera access point mode (2) Infrastructure mode
Communication with a Smartphone
  • Images can be viewed, controlled, and received using a smartphone.
  • Remote control of the camera using a smartphone is possible depending on the Camera Connect specifications.
  • Images can be sent to a smartphone.
  • NFC connection: Not supported
  • Supported images: JPEG, HEIF, RAW/C-RAW, MP4 video files
  • Transcoding while sending: Size to send (original / reduced size); Quality to send (original / compressed)
Remote Operation Using EOS Utility The camera can be controlled via Wi-Fi® or USB, with Canon EOS Utility software installed in a compatible Mac or Windows computer.
Print from Wi-Fi® Printers Not supported.
Send Images to a Web Service image.canon: Video files (MP4) and JPEG, HEIF, RAW or C-RAW still images can be uploaded to image.canon servers. From image.canon, images can be sent to specific social media and 3rd-party cloud image services.

 

Bluetooth

Standards Compliance Bluetooth Specification Version 5.0 compliant (Bluetooth Low Energy technology)
Transmission Method GFSK modulation
Bluetooth Pairing Smartphone — up to 10 devices; BR-E1 remote controller — 1 unit


Interface

USB Terminal Equivalent to SuperSpeed USB (USB 3.1 Gen 1)
  • For PC communication
  • Terminal type: USB Type-C
  • Shared with terminal for in-camera charging with the USB Power Adapter PD-E1.
  • In-camera Charging: Equivalent to USB type-C (5 V/1.5 A), but use should be restricted to USB Power Adapter PD-E1.
HDMI Out Terminal HDMI micro OUT terminal Type D (Resolution switches automatically) / CEC not compatible
  • Images can be displayed through the HDMI output and on screen at the same time.
  • Images will not be displayed unless [NTSC] or [PAL] is properly set according to the video system of the TV set.
Microphone Terminal 3.5mm diameter stereo mini jack
Headphone Terminal Compatible with 3.5mm diameter stereo mini-plug


Power Source

Battery Canon LP-E6NH battery pack (also compatible with LP-E6N and LP-E6 battery packs)
  • With the AC Adapter AC-E6N + DC Coupler DR-E6, AC power is possible.
  • With the USB Power Adapter PD-E1, in-camera charging of LP-E6NH is possible. The USB Power Adapter PD-E1 is not compatible with powering the camera.
Optional Battery Grip Compatible with Canon Battery Grip BG-R10 (Accepts one or two LP-E6NH, LP-E6N, or LP-E6 battery packs)
Battery Check Automatic battery check when the power switch is turned ON. Displayed in 5 levels in viewfinder, and on LCD screen. Battery info display in Set-up Menu:
  • Remaining capacity percentage
  • Shutter count, on current battery charge
  • Recharge performance (batterys ability to hold charge; displayed in 3 levels)
Start-up Time Approx. 0.4 sec.
  • Based on CIPA testing standards.

 

Dimensions and Weight

Dimensions (W x H x D) Approx. 5.45 x 3.87 x 3.48 in. / 138 x 98.4 x 88.4mm Based on CIPA standards.
Weight Approx. 1.5 lbs. / 680g (including battery, SD memory card; without body cap) Approx. 1.3 lbs. / 598g (body only; without battery, card or body cap)

 

Operating Environment

Working Temperature Range 32-104° F / 0-+40° C
Working Humidity 85% or less

 

*Specifications Subject to Change

Item Includes

In The Box

  • EOS R6 Mark II Body
  • Camera Cover R-F-5
  • Strap ER-EOSR6 Mark II
  • Battery Charger LC-E6
  • Battery Pack LP-E6NH
  • Battery Pack Cover
  • RF 24-105mm F4 L IS USM
  • Lens Cap E-77 II
  • Lens Dust Cap RF
  • Lens Hood EW-83N
  • Lens Case LP1319
  • Shoe Cover
Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
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4.8 ★★★★★
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Ashlee
Houston, US
★★★★★ 4
A Decent Fae Romance
Format: Kindle
** 3.5 Stars rounded up to 4 ** First off I want to say that I found the author, J. D. Linton, on TikTok right before the release of the sequel. I bought the first 2 books to support her release, so congrats to her for the release of the sequel! Overall, I liked the story & plot, I liked the characters, and I liked the spice. The downfalls: not enough development between the characters for the romance, and it leaned a little heavy into the tropes. A lot of stuff is told to you, which could have been used as devices to drive the plot and emotions of the characters. 🛑🛑 Mild Spoilers ahead, I tried to hide the obvious ones 🛑🛑 This is very obviously a fated mates, which is a trope I usually really enjoy. But I wish the relationship between Ara & Rogue had much more development before it's realized that they're mates, instead of Rogue knowing almost immediately and using it for nefarious purposes (at least in the beginning before they get to know each other). By revealing this within the first quarter of the book, I feel like it leaves less room for them to fall for each other organically (albeit with help from the mating bond) and they love each other because of the mating bond. I was disappointed as soon as Rogue know (literally only 5% in) and I literally made a note: "As much as II love a good mating trope, I wish we had to work for it a little more. Where's the fun in just telling us?" I believe that by holding out and feeding the reader snippets of a potential bond, it would've been more rewarding as a reader. I also wish there was more world building - we are told of a war between human & fae but don't get to really experience any of it. Ara is sheltered in her human home, then sheltered in Rogue's castle. There's bits and pieces about what the war has done on either side - but we're more told of the aftermath and don't really experience any of it. Ara's father is supposed to be the king's #1 general - yet he is at home with his family & with Ara for the first couple chapters. Her, her family, nor her village seem to be affected by the 10 year war going on on their borders. I wish there was a little more setup to make this conflict - an actual war - feel more than a skirmish between fighting territories. Linton could also be a little repetitive - with the biggest culprit being when Ara is upset she "brings [her] knees to [her] chest]" and either sits like that or cries. Every time she is upset this phrase is mentioned. I would get it if this was her crutch, or how she copes with grief and stress, but that should be explained why she does it so often or it becomes repetitive. I started to get annoyed with how often she would sit like this solely because it happens every couple chapters. However, I did really like the spice. I love an enemies to lovers trope, especially when it results in spicy scenes. The spicy scenes weren't anything new, but they were fun. Wish there were more but that could also just be me - there is no such thing as too much spice 😂 Would I read again? Probably not, I'm super picky with rereads. Although I did genuinely enjoy my first read through! Will I continue the series? Probably, at least for the sequel. As for #3, kind of depends on where I am with my TBR once that is released All in all an enjoyable, fast paced read
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Reviewed in the United States on March 8, 2024
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Ashton Taylor
Los Angeles, US
★★★★★ 3
I love indie authors
Format: Kindle
Let me preface this by saying—writing a book is HARD! Coming up with characters so real that they take on a life of their own, building an entire world, the political/magic system. Designing all of this is no easy feat. That being said. This book had so. Much. Potential. I was so excited to read this book, and I plan to finish it for the sake of finishing it. But. At this point, I would have set I’d aside as a DNF. The book could have benefited from some form of a developmental editor, or an in depth beta reader. I will say this. Within 5 chapters, there are so many… phrases that I’ve highlight that I’ve latched onto. Phrases about books and storms that were written BEAUTIFULLY! So, bravo Linton for hitting the nail on the head as to why readers disappear like they do! However, 5 chapters in and I can already guess where a majority of the story is going. But that’s also because I read like a mad-woman and have read this particular type of story, many different ways. Enemies to lovers where the FMC isn’t who she thinks she is. I am all about supporting indie authors. BUT. I also feel like criticism should be constructive, and not degrading. So if I could give this book a 4 1/2, strictly because I know the work the author put into this, I would. So if you’re looking for an easy read with characters that aren’t hard to follow, look no further! They are easy to love and easy to care for. One of the biggest issues they lacked, to me, was depth and plausible reactions to their situations. JD, you have done BEAUTIFULLY writing this book. I applaud and will continue to buy your books in the future. My BIGGEST recommendation is to definitely hire some form of an editor for any upcoming books. Or in turn, I will be happy to beta read for you. Should my opinion change of the book by the time I finish, I will happily get on here and say I was wrong, delete this review and post a different one. Until then…
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Reviewed in the United States on November 20, 2022
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Hannah Durham
Pawtucket, US
★★★★★ 5
this book set my soul ablaze! <3
Format: Paperback, Format: Paperback
"i had never really cared about the weather before, but now, clear skies meant everything to me, and i was grateful to see another calm morning." this book. this book! i loved the last storm so much. the writing style. the descriptions. the world-building. the characters. the plot twists. the tropes. the sexual tension. the—everything. everything was magic. the last storm follows our two main characters, ara and rogue, giving us dual POV from both characters (which i loved, btw). ara, a human girl who has been locked away in her father’s estate most of her life, just wants to see the world. all she dreams of is seeing what else is out there. but when her father announces her engagement, she knows that dream will become nothing more than just that—a dream. rogue, the fae king, is tired of the attacks being rained down on his people. in hopes of finding out the human king adon’s secrets, rogue infiltrates auryna’s borders. in his last resort to gain information, he visits the local pub. to his surprise, the general’s precious only child is sitting at the bar, drink round after round of mead. now he just needs to figure out how to take her without anyone noticing. first and foremost, let’s talk about the endless list of my favorite tropes and aspects that this book had. ›› enemies to lovers ›› fated mates ›› one bed ›› the chosen one ›› elemental magic ›› actually good and shocking plot twists!!! ›› badass female lead ›› morally-grey love interest ›› fae/human war ›› force proximity ›› touch her and die ›› who did this to you? ›› captor/captive ›› praise k!nk (panting profusely) “you are entirely the opposite of everything that i am, and i would gladly wear your shackles if it meant i could have you.” it’s been a long while since i read a book i liked this much. but i just loved this book. it set my soul ablaze. thank you to the author for writing this beautiful story and for blessing me with an eARC! i loved it so much that i immediately bought the paperback upon release! every aspect of this book was just beautiful. i was blown away by the way the world was described, the way feelings were portrayed, the way the elements were used in the fae’s magic. it just—AHHH! i just absolutely adored it all. i cannot wait for the second book to release next year! also the way he calls her “little storm” sets my heart on fire. this was a fast-paced read and if you are a lover of acotar, fbaa, deal with the elf king, or any other similar books, then please stop everything you’re doing and read this book right now. you won’t regret it. thank you again, jd linton, for giving me the privilege of reading your arc and for blessing this world with the world you created. <3 "something about him pulled me in, like a moth to a flame, and it felt as if i was just waiting for the inevitable burn that came with flying too close to the fire."
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Reviewed in the United States on November 15, 2022
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Sean
Massapequa, US
★★★★★ 4
Fun, both heartwarming and heartbreaking
Format: Kindle
Only my second first person written selection, I am still getting used to that aspect, but unlike my first, I enjoyed that the story was told through both MCs. A great enemies to lovers, forced proximity, fated love etc, that resonated to me. There were some small twists that I could see coming, but also a few that I didn’t quite see until the characters were also seeing. Personally, I am more interested in the story than the spice, but with that said, it was well seasoned! I am kind of new to the spice world so I can’t say for sure how this would rate, but it definitely had some heat. I am very glad I happened across this author, and I do plan on also reading the next book….if nothing else, just to see for myself the “transformation” of the characters I’ve grown to love!
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Reviewed in the United States on May 23, 2024
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Havinne Akins
Massapequa, US
★★★★★ 5
😍😍 BEST DEBUT NOVEL EVER
Format: Paperback
I’m having trouble finding accurate words to describe the way this book made me feel, but I am going to do my best. To start off with basic elements, the character and world building are phenomenal. I feel a strong bond to not only the two main characters, Ara and Rogue, but to each and every character introduced throughout the book. The author did a stellar job of giving each of them unique personhood. All of the scenes are beautifully described. So much so that throughout the entirety of the book, I could see every scene: the towns, the castles, the meadows, the landscape. I have had difficulty with this and with distinguishing between outlying characters while reading in the past, but I did not have to think to remember details of world or character building because they flowed naturally within the story and were described well. I have read book series before that made me want to be a part of that world, but I actually felt like I got to step into Auryna and Ravaryn! The plot twists!! Although this is not a suspense novel, it still had me on a rollercoaster of emotions and on the edge of my seat from beginning to end. I haven’t cried actual tears over a book since I was in high school (and I’ve read a LOT). This book finally broke the floodgates in the final few chapters. Multiple times. And we love a good cliffhanger. It truly made me FEEL. THE SPICE is a solid 3.5/5. Some of the scenes had me flushed, some had me taking notes, some just had my jaw slack and my mouth hanging open. Bravo, JD Linton, bravo. The relationships: friendships, family, romantic, ALL of the relationships in this book have so much meaning. The author does a great job at making you feel the love, the anger, the peace, the frustrations, the safety, the familiarity, etc. between the characters. Ara and Rogue. I can not say enough and I also do not want to say too much. Just know that I feel like I know them both, to their core. I know what their childhood looks likes, their darkest moments, their biggest fears, their dreams and passions, what they want in life… The POV switches were seamless. I am so happy this author decided to let us see from both sets of eyes. I can not wait for book two after that cliffhanger. And there is SO much potential for at least one prequel, I can’t wait to see where this author goes! I hope this series continues and flourishes. Fingers crossed!
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Reviewed in the United States on December 5, 2022

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