SKU: 52663090812

⚡️Rowan Orange Glo Pearl⚡️Revolutionary Colors

$64.76 $71.95
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Description

⚡️Rowan Orange Glo Pearl⚡️Revolutionary ColorsJosh Rowans famous Snooki! Josh has allowed us to sell his color we designed for him! Snooki is sprayed over white sealer. This is a Basecoat, not a tri stage. mixed 1: 1 Absolutely loaded in gold pearl Technical Data Sheet (TDS) Product Information Product Name: Top Shelf Infinite Color Line Manufacturer: Revolt Auto Paint Product Type: High Quality Urethane Automotive Basecoat Description: Top Shelf Infinite Color Line is a premium urethane basecoat

Josh Rowan’s famous Snooki! 
Josh has allowed us to sell his color we designed for him! 
Snooki is sprayed over white sealer. This is a Basecoat, not a tri stage. 
mixed 1:1

Absolutely loaded in gold pearl ⚡️⚡️⚡️

Technical Data Sheet (TDS)
Product Information
•  Product Name: Top Shelf Infinite Color Line
•  Manufacturer: Revolt Auto Paint
•  Product Type: High-Quality Urethane Automotive Basecoat
•  Description: Top Shelf Infinite Color Line is a premium urethane basecoat system designed for superior color matching and coverage. It can replicate any OEM color from the early 1920s through 2025, outperforming standard bases with exceptional hide, especially on challenging colors like reds, yellows, and oranges. This basecoat provides excellent adhesion, durability, and flow-out for professional automotive refinishing applications. Available in custom-mixed colors, including tri-stage options.
Features and Benefits
•  Infinite color matching capabilities for OEM, custom, and tri-stage formulations.
•  Superior coverage: Typically achieves full hide in 1-3 coats, with 2 coats recommended for optimal film build.
•  High solids content for better efficiency and reduced material usage (e.g., one gallon covers a full-size truck or van).
•  Excellent color accuracy and metallic/pearl orientation.
•  Compatible with Revolt Auto Paint clearcoats for a complete system.

Mixing Instructions
•  Mix Ratio: 1:1 (Basecoat : Reducer) by volume.
•  Reducer: Use Revolt 380 Series Reducer (slow, medium, or fast based on temperature and humidity).
    •  Slow Reducer: For temperatures above 85°F (29°C).
    •  Medium Reducer: For 70-85°F (21-29°C).
    •  Fast Reducer: For below 70°F (21°C).
•  Additives: No activators required; optional anti-fisheye or flex additives for plastic substrates (consult Revolt technical support).
•  Pot Life: Unlimited when properly sealed; stir well before use. Mix only what is needed for immediate application.
•  Preparation: Stir basecoat thoroughly before mixing. Strain mixed material through a fine mesh filter (190 micron or finer).
Application Instructions
•  Surface Preparation: Ensure substrate is clean, dry, and free of contaminants. Sand with P400-P600 grit, apply primer/sealer if necessary, and wipe with a tack cloth.
•  Intended Use: Automotive refinishing on properly prepared metal, plastic, or composite surfaces. Not for direct-to-metal application without primer.
•  Spray Gun Setup:
    •  HVLP Gun: 1.3-1.4 mm tip, 8-10 psi at cap.
    •  Conventional Gun: 1.4-1.6 mm tip, 40-50 psi at gun.
•  Number of Coats: 2-3 medium-wet coats for full coverage and film build (approximately 1.0-1.5 mils dry film thickness per coat).
•  Flash Time: 5-10 minutes between coats at 70°F (21°C).
•  Coverage: Approximately 200-300 sq. ft. per gallon at recommended film build.
•  Application Conditions: Apply in a well-ventilated booth at 60-90°F (16-32°C) and 40-60% relative humidity. Avoid direct sunlight or drafts.
Drying Times
•  Dust Free: 10-15 minutes at 70°F (21°C).
•  Tack Free: 20-30 minutes.
•  Recoat Window: Clearcoat within 24 hours; if exceeded, scuff with P600 grit and reapply basecoat.
•  Force Dry: 20 minutes at 140°F (60°C) for faster turnaround (optional).
•  Full Cure: 24 hours at ambient temperature.
Note: Drying times may vary based on temperature, humidity, film thickness, and airflow.
Topcoat Recommendations
•  Overcoat with Revolt urethane clearcoats (e.g., 357-30 Glamour Clear, 357 Euro Clear) for gloss and protection. Apply clear within the recoat window for best adhesion.
Technical Specifications
•  VOC Content: Less than 3.5 lbs/gal (420 g/L) as mixed (compliant with most regulations; check local laws).
•  Solids by Weight: Approximately 25-35% (varies by color).
•  Specific Gravity: 0.9-1.1 g/cm³.
•  Viscosity: 15-20 seconds (#2 Zahn cup).
•  Theoretical Coverage: 400-600 sq. ft. per gallon at 1 mil DFT.
•  Shelf Life: 12 months unopened in original container; store away from heat and direct sunlight.
Health and Safety
•  Hazards: Contains flammable solvents. May cause irritation to skin, eyes, and respiratory system. Prolonged exposure can lead to sensitization.
•  Precautions: Use in a well-ventilated area with approved respiratory protection (NIOSH-approved organic vapor respirator). Wear chemical-resistant gloves, safety goggles, and protective clothing. Avoid skin contact and ingestion.
•  First Aid:
    •  Skin: Wash with soap and water.
    •  Eyes: Flush with water for 15 minutes; seek medical attention.
    •  Inhalation: Move to fresh air; provide oxygen if needed.
    •  Ingestion: Do not induce vomiting; seek immediate medical help.
•  Fire Fighting: Use foam, CO2, or dry chemical extinguishers. Wear self-contained breathing apparatus.
•  Disposal: Dispose of in accordance with local, state, and federal regulations. Do not incinerate closed containers.
•  Refer to Safety Data Sheet (SDS) for complete information. Available upon request from Revolt Auto Paint.
Storage and Handling
•  Store in a cool, dry place between 50-80°F (10-27°C). Keep containers tightly closed when not in use.
•  Avoid freezing or exposure to extreme heat.
•  Transport in compliance with DOT regulations for flammable liquids.
For custom color matching or technical support, contact Revolt Auto Paint at [email protected] or visit revoltautopaint.com. Provide OEM color code for accurate formulation.
This TDS is based on standard practices and available product data. Actual performance may vary. Test on a small area before full application.

Shipping Notes
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Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 52663090812

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4.9 ★★★★★
Based on 1364 reviews
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Product Reviews
R
Verified Purchase
Rachel S.
Carnegie, US
★★★★★ 5
Exquisite, enrapturing
Format: Paperback
Loved the gritty, visceral language and the epic nature of this poem. Notely blows me away -- the loss of memory, the tangled and eternal subway, the owls and masks.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 29, 2014
E
Verified Purchase
Eileen O Malley Callahan
Natrona Heights, US
★★★★★ 5
Five Stars
Format: Paperback
Brilliant, lucid, engaging and brave, a feminist chthonic journey shimmering with poetic bravado.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 18, 2014
J
JeFF Stumpo
Pawtucket, US
★★★★★ 5
A Feminist Divine Comedy?
Format: Paperback
Let me start with this: The Descent of Alette is difficult to read at first. Notley "puts quotation marks around" "groups of words" "in lines" "that can be off-putting." Note that I'm not quoting from the book there, just giving an example of what the book's text appears like. This forces us to read more slowly, taking in each line a few words at a time. What appears to be awkward is in fact a great solution to the speed-reading most of us do these days. That being said, it's troublesome for the first few poems, less so after that, virtually invisible by the end of the first section. When talking about this book, I immediately compare it to Dante's Divine Comedy, and I commonly see others do the same (see an earlier review here on Amazon.com). Exchange Hell for a subway, and you've basically got it: an underground realm ruled over by a Tyrant, poor souls being tortured, though in this case there is no indication that they have done anything to deserve it. Notley's language might not be quite as beautiful/harsh as Dante's, but her images stand with anything he created. After introducing two characters on a subway, a woman and her baby, both on fire, Notley writes: "another woman" "in uniform" "from above ground" "entered" "the train" "She was fireproof" "she wore gloves, & she" "took" "the baby" "took the baby" "away from the" "mother" "Extracted" "the burning baby" "From the fire" "they made together" "But the baby" "still burned" ("But not yours" "It didn't happen" "to you") "We don't know yet" "if it will" "stop burning," "said the uniformed" "woman" "The burning woman" "was crying" "she made a form" "in her mind" "an imaginary" "form" "to settle" "in her arms where" "the baby" "had been" "We saw her fiery arms" "cradle the air" "She cradled air" ("They take your children" "away" "if you"re on fire") "In the air that" "she cradled" "it seemed to us there" "floated" "a flower-like" "a red flower" "its petals" "curling flames" "She cradled" "seemed to cradle" "the burning flower of" "herself gone" "her life" ("She saw" "whatever she saw, but what we saw" "was that flower") After surviving the horrors of the subway, Alette goes even deeper underground, passing through a series of psychological challenges that at times seem straight out of Freud, at times out of Classical mythology, at times out of collective dreams. Throughout it all, we learn more and more about Alette, who is not just a "hero" who goes through the motions necessary to the plot, but who considers and stumbles and is confused and learns. The third section of the book is a rebirth, wherein Alette finds a source for a stronger power than the Tyrant's, and it is distinctly feminist in its nature. I need to note here for those who react to feminism in a knee-jerk way: Notley's feminism is not a militant feminism, though it requires brief "military" action on Alette's part. Men are helpful in the story, have purpose besides being the bad guy. If anything, what Notley attacks in the form of the Tyrant is the idea of a corrupt masculinity, a kind of Big Brother who would easily stand as an antagonist in any number of 20th/21st century literary works. Alette's feminism is the discovery of her place in the world, and that place is not slaving away mindlessly for the Tyrant, not acting as just a womb or pair of hands or pretty face. It's a nuanced message, despite the epic (and therefore presumably black-and-white) nature of the whole book. The fourth section is the showdown with the Tyrant, a great deal of philosophizing, and an ending that I actually find more satisfying than that of Paradiso. I won't spoil it here, but it just works extremely well in conjunction with the themes of Descent as a whole. If you want to be challenged, if you want to think deep thoughts, if you want surreality and magic, pick up The Descent of Alette. For even more interesting reading from the author and her partner, you could also turn to The Scarlet Cabinet, which contains but actually predates the on-its-own publication of Descent.
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Reviewed in the United States on October 11, 2010
K
Kent Shaw
Charlottesville, US
★★★★★ 5
A Contemporary Epic
Format: Paperback
I have a complicated relationship with most of the books I've read by Alice Notley. I admire her facility with the lyric, her ability to get just beneath a concept or sentiment using a very talk-y style so that I always feel like I'm with whatever speaker she's using, inside that mind and her mind all at once. This is a good kind of complication. It's one I yearn for with poems. The unpleasant complications are when I feel as though I'm just being subjected to her unedited notebook entries. Too much, too much, too much. It comes up especially with her book Mysteries of Small Houses. I mention these difficulties only to sharpen the accomplishment of The Descent of Alette. Like other reviewers, I feel the tonal similarities to Dante's Inferno. Which becomes a subversive allusion considering Alette seeks after a male Tyrant in order to destroy him, while Dante sought after his Beatrice out of desire. But I read and reread Alette, because Notley continually subverts patriarchal conventions in the book. I actually find I crave the speaker's intellect, and the mythic logic that gives the book its arc. I want it more. Yes, there are quotations around each fragment in the poems. I actually appreciate them for slowing my reading down, and for sharpening my focus on the use of Notley's language. And it's not just a stylistic tic, or something to be endured. It could actually be described as further subversion of The Tyrant Alette pursues.
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Reviewed in the United States on August 25, 2011
R
Verified Purchase
Raquel Wilbon
Lowell, US
★★★★★ 2
Imagery and diction
Format: Paperback
This book was very challenging to read because everything was written in quotations however, it was intriguing as a different way of writing poetry.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on August 11, 2020

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