Bottin: I Have What I Gave - VINYL LP

Bottin: I Have What I Gave - VINYL LPTitle: I Have What I Gave Artist: Bottin Label: 2MR Product Type: VINYL LP UPC: 090125168914 Genre: Electronic Release Date: 2020 02 14 Number of Discs: 1 LP version. 2017 release. On I Have What I Gave, Italian musician Bottin outdoes himself. He crafts propulsive, disco laden scores for films not yet made, and introspective, mind expanding cuts designed to ensure that people who want to dance never get caught up in conventional experiences. There's

Title: I Have What I Gave
Artist: Bottin
Label: 2MR
Product Type: VINYL LP
UPC: 090125168914
Genre: Electronic
Release Date: 2020-02-14
Number of Discs: 1

LP version. 2017 release. On I Have What I Gave, Italian musician Bottin outdoes himself. He crafts propulsive, disco-laden scores for films not yet made, and introspective, mind-expanding cuts designed to ensure that people who want to dance never get caught up in conventional experiences. There's the hypnotic, pop-disco cut "Y-A-M-L" featuring past collaborator Lavinia Claws on vocals. It existed in parts for a decade before coming together during the sessions for this album. It's an energetic and transcendent affair. "L'Amore" has a foundation that recalls the cascading minimalism of Steve Reich and the cinematic work of the likes of Howard Shore. By the time the beat comes in, it's pretty clear this is no mere exercise in routine nu-disco. Another cut that proves Bottin should be scoring films is "Varosha" with it's dark, arena-sized John Carpenter vibes that traffic in dystopia to balance out the bubbling optimism of "L'Amore". The record's quest extends back in time on "Perfect Mind", featuring words from the ancient Greek prayer, "The Thunder, Perfect Mind" found amid the famous Nag Hammadi texts in Egypt in 1945. Over a pulsating, acidy backdrop the words are delivered through various vocal synthesis engines, evoking a cold, artificially intelligent singularity discussing the most human of matters. All throughout an album filled with intricate and nuanced arrangements, Bottin doesn't forget to keep people moving. There's "Stellar Parade" another in a line of great collaborations with legendary Italian electronic musician Alexander Robotnick. There's also "Twenty-Three" an organic-sounding arp bath that perfectly channels the tension that builds over the course of a night. Bottin's work as one-half of experimental synth outfit Deardrums rubs off on "Microdisco" which is fat with pulsating analogue synths and resonant beat experimentations. One thing that sets I Have What I Gave apart from his pioneering horror disco and much-loved Punica Fides LPs is that this time around Bottin didn't see to it to create a concept-album structure. Everything came at once during the writing and recording process, which no doubt gives the album it's intensity and sense of immediacy.

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