SKU: 75199923278

nuoc thach jelly gumi gumi vitamin c vi cam 135g

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Description

nuoc thach jelly gumi gumi vitamin c vi cam 135gGUMI GUMI l mt thng hiu ni ting ca Thi Lan chuyn v cc loi nc thch tri cy dinh dng c kt hp vi nhiu hng v tri cy t nhin v b sung vo thm cc loi vitamin nh A, C, B,mang n mn ung lnh mnh, ph hp cho c tr em v ngi ln. Nu bn a thch hng v chua ngt sng khoi hay cn tng sc khng cho nhng hot ng, chuyn i phiu lu d ngoi th chn ngay Nc thch jelly GUMI GUMI vitamin C v cam. Nhng ming thch mm dai, chua ngt m v cam s lm bn thm phn khi, gii ta cn nng bc v trn tr sc sng.

GUMI GUMI là một thương hiệu nổi tiếng của Thái Lan chuyên về các loại nước thạch trái cây dinh dưỡng được kết hợp với nhiều hương vị trái cây tự nhiên và bổ sung vào thêm các loại vitamin như A, C, B,…mang đến món uống lành mạnh, phù hợp cho cả trẻ em và người lớn.

Nếu bạn ưa thích hương vị chua ngọt sảng khoái hay cần tăng sức đề kháng cho những hoạt động, chuyến đi phiêu lưu dã ngoại thì chọn ngay Nước thạch jelly GUMI GUMI vitamin C vị cam. Những miếng thạch mềm dai, chua ngọt đậm vị cam sẽ làm bạn thêm phấn khởi, giải tỏa cơn nóng bức và tràn trề sức sống.

Có thể uống trực tiếp hoặc làm topping pha vào các loại nước như trà vải, trà nho, nước ép cam,…làm lạnh hoặc cho vào khuôn tạo hình để ngăn đông tạo thành những viên thạch dai thơm, mát lạnh đẹp mắt và hấp dẫn! 

Sản phẩm được dạng túi nhỏ gọn, dễ dàng mang theo bất kì đâu. Thích hợp sử dụng dành cho mọi người và các đối tượng đang cần bổ sung vitamin, có nhiều hoạt động thể chất...

Thành phần: Nước, nước nho trắng từ nước nho trắng cô đặc 10%, đường 5%, vitamin C 0.03%, chất điều chỉnh độ acid (INS330), chất ổn định (INS332(ii)), chất tạo gel (INS407, INS425), chất tạo ngọt nhân tạo (INS950, INS955), chất bảo quản (INS211), phẩm màu nhân tạo (INS110), hương liệu cam tự nhiên

Khối lượng tịnh: 135g/túi

Bảo quản: Nơi khô ráo thoáng mát và tránh ánh nắng mặt trời

Hướng dẫn sử dụng: Dùng trực tiếp, lắc đều trước khi uống. Ngon hơn khi dùng lạnh

Hạn sử dụng: 12 tháng kể từ ngày sản xuất

Xuất xứ: Thái Lan

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SKU: 75199923278

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4.0 ★★★★★
Based on 1349 reviews
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Product Reviews
R
Verified Purchase
Rachel S.
San Leandro, US
★★★★★ 5
Exquisite, enrapturing
Format: Paperback
Loved the gritty, visceral language and the epic nature of this poem. Notely blows me away -- the loss of memory, the tangled and eternal subway, the owls and masks.
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Reviewed in the United States on May 29, 2014
E
Verified Purchase
Eileen O Malley Callahan
Bozeman, US
★★★★★ 5
Five Stars
Format: Paperback
Brilliant, lucid, engaging and brave, a feminist chthonic journey shimmering with poetic bravado.
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Reviewed in the United States on December 18, 2014
J
JeFF Stumpo
Whiting, US
★★★★★ 5
A Feminist Divine Comedy?
Format: Paperback
Let me start with this: The Descent of Alette is difficult to read at first. Notley "puts quotation marks around" "groups of words" "in lines" "that can be off-putting." Note that I'm not quoting from the book there, just giving an example of what the book's text appears like. This forces us to read more slowly, taking in each line a few words at a time. What appears to be awkward is in fact a great solution to the speed-reading most of us do these days. That being said, it's troublesome for the first few poems, less so after that, virtually invisible by the end of the first section. When talking about this book, I immediately compare it to Dante's Divine Comedy, and I commonly see others do the same (see an earlier review here on Amazon.com). Exchange Hell for a subway, and you've basically got it: an underground realm ruled over by a Tyrant, poor souls being tortured, though in this case there is no indication that they have done anything to deserve it. Notley's language might not be quite as beautiful/harsh as Dante's, but her images stand with anything he created. After introducing two characters on a subway, a woman and her baby, both on fire, Notley writes: "another woman" "in uniform" "from above ground" "entered" "the train" "She was fireproof" "she wore gloves, & she" "took" "the baby" "took the baby" "away from the" "mother" "Extracted" "the burning baby" "From the fire" "they made together" "But the baby" "still burned" ("But not yours" "It didn't happen" "to you") "We don't know yet" "if it will" "stop burning," "said the uniformed" "woman" "The burning woman" "was crying" "she made a form" "in her mind" "an imaginary" "form" "to settle" "in her arms where" "the baby" "had been" "We saw her fiery arms" "cradle the air" "She cradled air" ("They take your children" "away" "if you"re on fire") "In the air that" "she cradled" "it seemed to us there" "floated" "a flower-like" "a red flower" "its petals" "curling flames" "She cradled" "seemed to cradle" "the burning flower of" "herself gone" "her life" ("She saw" "whatever she saw, but what we saw" "was that flower") After surviving the horrors of the subway, Alette goes even deeper underground, passing through a series of psychological challenges that at times seem straight out of Freud, at times out of Classical mythology, at times out of collective dreams. Throughout it all, we learn more and more about Alette, who is not just a "hero" who goes through the motions necessary to the plot, but who considers and stumbles and is confused and learns. The third section of the book is a rebirth, wherein Alette finds a source for a stronger power than the Tyrant's, and it is distinctly feminist in its nature. I need to note here for those who react to feminism in a knee-jerk way: Notley's feminism is not a militant feminism, though it requires brief "military" action on Alette's part. Men are helpful in the story, have purpose besides being the bad guy. If anything, what Notley attacks in the form of the Tyrant is the idea of a corrupt masculinity, a kind of Big Brother who would easily stand as an antagonist in any number of 20th/21st century literary works. Alette's feminism is the discovery of her place in the world, and that place is not slaving away mindlessly for the Tyrant, not acting as just a womb or pair of hands or pretty face. It's a nuanced message, despite the epic (and therefore presumably black-and-white) nature of the whole book. The fourth section is the showdown with the Tyrant, a great deal of philosophizing, and an ending that I actually find more satisfying than that of Paradiso. I won't spoil it here, but it just works extremely well in conjunction with the themes of Descent as a whole. If you want to be challenged, if you want to think deep thoughts, if you want surreality and magic, pick up The Descent of Alette. For even more interesting reading from the author and her partner, you could also turn to The Scarlet Cabinet, which contains but actually predates the on-its-own publication of Descent.
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Reviewed in the United States on October 11, 2010
K
Kent Shaw
New York, US
★★★★★ 5
A Contemporary Epic
Format: Paperback
I have a complicated relationship with most of the books I've read by Alice Notley. I admire her facility with the lyric, her ability to get just beneath a concept or sentiment using a very talk-y style so that I always feel like I'm with whatever speaker she's using, inside that mind and her mind all at once. This is a good kind of complication. It's one I yearn for with poems. The unpleasant complications are when I feel as though I'm just being subjected to her unedited notebook entries. Too much, too much, too much. It comes up especially with her book Mysteries of Small Houses. I mention these difficulties only to sharpen the accomplishment of The Descent of Alette. Like other reviewers, I feel the tonal similarities to Dante's Inferno. Which becomes a subversive allusion considering Alette seeks after a male Tyrant in order to destroy him, while Dante sought after his Beatrice out of desire. But I read and reread Alette, because Notley continually subverts patriarchal conventions in the book. I actually find I crave the speaker's intellect, and the mythic logic that gives the book its arc. I want it more. Yes, there are quotations around each fragment in the poems. I actually appreciate them for slowing my reading down, and for sharpening my focus on the use of Notley's language. And it's not just a stylistic tic, or something to be endured. It could actually be described as further subversion of The Tyrant Alette pursues.
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Reviewed in the United States on August 25, 2011
R
Verified Purchase
Raquel Wilbon
San Leandro, US
★★★★★ 2
Imagery and diction
Format: Paperback
This book was very challenging to read because everything was written in quotations however, it was intriguing as a different way of writing poetry.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on August 11, 2020

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