SKU: 72449935164

HKM-540755 Bluetooth Sound Card Mixer with Microphone Effects and USB Compatibility

$114.29 $126.99
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Description

HKM-540755 Bluetooth Sound Card Mixer with Microphone Effects and USB CompatibilityIntroducing the HKM 540755 Bluetooth Sound Card Mixer, designed to elevate your audio experience with versatile functions and high quality performance. This sleek black mixer combines a durable metal and ABS construction, ensuring longevity while delivering exceptional sound quality. The HKM 540755 features an impressive frequency response of 20Hz to 20kHz, along with a total harmonic distortion of just 0. 02%, making it perfect for both professional

Introducing the HKM-540755 Bluetooth Sound Card Mixer, designed to elevate your audio experience with versatile functions and high-quality performance. This sleek black mixer combines a durable metal and ABS construction, ensuring longevity while delivering exceptional sound quality.

The HKM-540755 features an impressive frequency response of 20Hz to 20kHz, along with a total harmonic distortion of just 0.02%, making it perfect for both professional and home use. Equipped with multiple input channels, including four microphone inputs, line inputs, PC, and USB options, it allows for seamless connectivity and versatility in your audio setup.

With true digital effect processing and independent volume adjustments, this mixer provides you with the tools needed to tailor your sound. The integrated phantom power supply makes it compatible with large diaphragm condenser microphones, enhancing its usability across various applications. Plus, the USB audio compatibility at 2IN/2OUT with a decoding rate of 48.1kHz and 24-bit bit depth guarantees crisp audio transmission.

Keep your levels in check with the clear LED indicators for the MAIN STEREO LEVEL, ensuring you never miss a beat while monitoring your audio. Whether you're mixing live performances, recording podcasts, or live-streaming, the HKM-540755 boasts the functionality and reliability to meet your needs.

Unleash your creativity and take control of your sound with the HKM-540755 Bluetooth Sound Card Mixer, an essential addition to any audiophile's toolkit.

Product information:

Colour: Black
Material: Metal + ABS

Frequency response: 0.05%dB/-2.0dB (20Hz to 20kHz), refer to rated output power @1kHz, GAIN knob: medium
Total harmonic distortion (THD+N): 0.02%@+10dBu (20Hz to 20kHz), GAIN knob: medium
Noise (20Hz to 20kHz): Residual output noise, -85dBu (STEREO OUT, STEREO LEVE), GAIN knob: small
Crosstalk (1kHz)*2: -83dB
Input/output impedance:
Microphone input: 3kΩ, line input: 10kΩ
Output: 150Ω (balanced) 75Ω (unbalanced)
AES digital signal input and output: 110Ω
Input channels: MIC*4, 2REC, PC, 2LINE, USB, BT, 3.5MINI
Output channel: STEREO OUT: 2, PHONES:1, 3.5MINI MAIN PH OUT:1, 2.GROUP PH:1.3.5MINI LOOP BACK output: 2.REC
Bus: Stereo: 1, GROUP:1.
Input channel function:
HPF(Mono)80Hz,12dB/octave (CH3,4) EQ HIGH
Gain: +15dB/-15dB frequency: 10kHz ramp frequency: EQ LOW
Gain: +15dB/-15dB Frequency: 100kHz Ramp frequency: PEAK LED When the signal after EQ reaches 3dB below the distortion, the LED lights up
LED indication: MAIN STEREO LEVEL knob, the green light is on when the MAIN LEVEL signal reaches -10dB, and the red light is on when it reaches 3dB below the distortion
Input and output level: MIC (-60dB) LINE OUTPUT (-40dB) MAX OUT (+12dB)
USB audio: 2IN/2OUT USB audio 2.0 compatible, decoding rate: 48.1kHz, Bit depth: 24-bit
Effect category: independent volume adjustment effect: true digital effect processing
Phantom power supply voltage: support large diaphragm condenser microphone
Voltage adapter: DC 5V/2.0A standard


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SKU: 72449935164

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4.8 ★★★★★
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D
Verified Purchase
Donna Menchinger
Whiting, US
★★★★★ 5
Five Stars
Format: Paperback
Fun
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 9, 2017
M
Verified Purchase
MJ
Lake Worth, US
★★★★★ 2
Bent
Format: Paperback
When the book came the cover was crumpled and bent so it was really hard to read
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 6, 2020
N
Verified Purchase
N. Durham
Fort Morgan, US
★★★★★ 5
Quite possibly the best Punisher stories ever told
Format: Hardcover
It's no secret that Garth Ennis' long run on the Punisher (particularly the MAX titles) has been nothing short of superb if not visionary, and this handsome hardcover collection, featuring three seperate one-shots, further proves that point. From First to Last begins with the Tyger, a story in which a young Frank Castle embarks on his first night of vengeance as the Punisher. As he has some mob men in his sights, he recollects to a summer in Brooklyn when he was a young man, and a shocking event that only further shaped Frank's inevitable path to becoming the Punisher. This story is good, but it's not anything really great, though John Severin's art is quite good. Thankfully, everything gets better from this point on. The Cell finds Frank turning himself in and convicted of his many murders and taken to the bowels of Riker's Island. However, Frank has a reason he's here, and it involves five men who all share a secret and a link to Frank that you'll never see coming. This story alone makes this collection worth picking up, and the art by Lewis Larosa (who also worked on the first Punisher MAX TPB, In the Beginning) is gritty, bloody, and brilliant. The third and final story is the spectacular Punisher: The End, featuring art by the legendary Richard Corben, which more than makes it worth checking out alone. As part of Marvel's "The End" line, this one-shot is just that, as an elderly Frank Castle finds himself as one of the last men on Earth after a nuclear holocaust has turned the world to ash and dust. Of course, there are still those that are guilty, and need to be punished. The last two stories alone are some of the best Punisher stories ever written, period. If you missed out on the one-shots when they were first released, now is your chance to read some of the best mainstream comic gold to come along in a long time, and this collection only furthers the notion that is discussed on the book's inside flap: Ennis was born to write the Punisher.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 30, 2006
A
Verified Purchase
A.G.
Battle Creek, US
★★★★★ 5
Three really solid stories here.
Art is top notch. We get three really nice stories of pre-Punisher Frank, mid-Punisher Frank and the end of Punisher Frank. I look at this book a couple times a year and Garth Ennis really did a great job on the character. The art by Severin, LaRosa and Corben were all great and fitting for their stories. Good collection if you can find it. Highly recommend.
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Reviewed in the United States on January 22, 2026
T
Verified Purchase
The Critic
Chelsea, US
★★★★★ 4
Vintage Castle
Garth Ennis renders one of his hectic stories with Frank Castle coming back to his origins. The first story deploys Frank's childhood and the unexpected consequences of it later on. I humbly believe the second part(The cell), is the best of this issue. It narrates the ultimate vengeance of Castle against those who took the lifes of his family, several years ago in the middle of a shooting at day light in Central Park. A mention must be done of the art in The Cell. The pencils of Lewis Larosa, the Inks & Finishes of Scott Koblish and Raúl Treviño's colors, leave nothing to desire and accomplish to portrait that classic look of Castle as a somewhat mature/old man still capable of hell when it comes to seek revenge for his family. The End, however, which puts Castle in a dystopian future of a post-nuclear bombing, fails to blend smoothly Garth Ennis' script with the caricaturesque art from Richard Corben and Lee Loughridge. There is a dissonance between this very old Frank Castle in an apocalyptic environment and the drawings that for some reason maintain a gap with previous artists. As a whole, From First to Last is totally worthy. Garth Ennis is back to team with Castle and that's all what counts. Cristián Gómez O.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 20, 2011

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